The Pirates of Penzance: or The Slave of Duty Vocal Score |  | Creators: Arthur Sullivan, William S. Gilbert Brand: G. Schirmer, Inc. Category: Book
List Price: $16.99 Buy Used: $4.31 as of 9/6/2010 07:11 CDT details You Save: $12.68 (75%)
New (18) Used (19) Collectible (1) from $4.31
Seller: tacoma_goodwill Rating: 10 reviews Sales Rank: 217387
Media: Paperback Autographed: No Memorabilia: No Pages: 213 Number Of Items: 1 Shipping Weight (lbs): 1.3 Dimensions (in): 10.8 x 7.6 x 0.6
ISBN: 0793525861 Dewey Decimal Number: 782 UPC: 073999375305 EAN: 9780793525867 ASIN: 0793525861
Publication Date: November 1, 1986 Availability: Usually ships in 1-2 business days
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| Features:
| • | 232 Pages | | • | Published by G. Schirmer, Inc. | | • | SCORE |
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Product Description The Pirates of Penzance, premiered in 1879, confirmed the comic genius of librettist W.S. Gilbert and composer Arthur Sullivan, following on the heels of their wildly successful H.M.S. Pinafore. Pirates invade the rocky coast of Cornwall in this topsy-turvy tale of love and duty, highlighted by the famous strains of Poor Wandering One, I Am the Very Model of a Modern Major-General, Oh, Is There Not One Maiden Breast and With Cat-Like Tread, Upon Our Prey We Steal. This vocal score includes the complete music and all dialogue, a plot synopsis, articles on the famous partnership and the history of The Pirates of Penzance, a filmography and a discography.
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| Customer Reviews:
Showing reviews 1-5 of 10
Another G&S Winner from Dover November 5, 2001 D. Craven (Chicago, IL USA) 24 out of 26 found this review helpful
Once again Dover has managed to produce a Piano Vocal score which is a major improvement over the existing editions. While I can't speak for the Scholarly content, and while it doesn't claim to be a "critical edition", it does EXACTLY what a performer wants in a piano vocal score. It is clear and readable and has the words as well as the music. It is also clearly market with measure numbers at the start of each staff and has clear and well marked Major Measure markers throughout. In sum, if you are looking to perform the work, this is the edition to get.(And if you need a Full Score, the Dover full score is also a very good deal).
Different editions February 28, 2002 Steven Jong (Westford, MA United States) 11 out of 12 found this review helpful
We're staging a production of "Pirates" in April 2002, and we have two editions of this score by G. Schirmer. The cheaper one is for the chorus, and has just the choral passages. The more expensive one (listed here) has the complete vocal music and dialogue.I have seen both, and would rate them at five stars except that the original page plates are a little dirty, introducing some confusing dots and spots.
Good version December 7, 2001 C. A Baker (Santa Rosa CA United States) 10 out of 12 found this review helpful
I'm not sure what an earlier reviewer is saying about this score not having the solo stuff. This book has the complete score and dialoge. I've used it for two productions of POP and it is missing nothing. Unless this is a different edition than the one I have..but it has the exact same cover and credits so I doubt it.
Pray Observe the Magnanimity... July 15, 2006 Tony Kelly (Rome, GA USA) 2 out of 3 found this review helpful
I used this score in a production of Pirates at my university, and from the standpoint of a cast member it was excellent. It outlined each part and was easy to read. At any point where scores between production years differ, this handy volume recounts them all with notes as to which part belongs with which year. My only complaints are that it is not ring-bound (regular paperback binding, harder to hold on to/use) and some harmony parts are difficult to pick out because they divide on the page turn and appear at different parts of the page. Other than that, it is a wonderful score and I would recommend it to anyone interested in producing this enchanting operetta.
The very model of a modern libretto? February 28, 2009 Donald Shirer (Westbrook, CT.) The standard version of G&S's "Pirates". Most production companies will use this edition, but I've always thought that it could be improved by including a description of some of the classic stage business that has become attached to it, if only as a benchmark to improve on.
Showing reviews 1-5 of 10
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